Enjoy your symptom!
Arriving at each new city, the traveller finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.

Italo Calvino, Invisible Cities

(via fables-of-the-reconstruction)

fiore-rosso:

da venezia a verona.
Orgasms are very nice, but revolutions are better.
Gail Dines (via lishra)
I am aware of myself. And, of course, the only things that are aware of themselves and conscious of their individuality are irritated eyes, cut fingers, sore teeth. A healthy eye, finger, tooth might as well not even be there. Isn’t it clear that individual consciousness is just sickness?
Yevgeny Zamyatin, We (via pastizche)
A single nonrevolutionary weekend is infinitely more bloody than a month of total revolution.
May ‘68 graffiti, France (via insurrectionsociale)
There was a sailor, dressed all in white, coming across the boulevard, walking with that funny roll sailors have and with that aura, hopeful and hard, of having to make a great deal happen in a hurry. I was staring at him, though I did not know it, and wishing I were he. He seemed – somehow – younger than I had ever been, and blonder and more beautiful, and he wore his masculinity as unequivocally as he wore his skin. He made me think of home – perhaps home is not a place but simply an irrevocable condition. I knew how he drank and how he was with his friends and how pain and women baffled him. I wondered if my father had ever been like that, if I had ever been like that – though it was hard to imagine, for this boy, striding across the avenue like light itself, any antecedents, any connections at all. We came abreast and, as though he had seen some all-revealing panic in my eyes, he gave me a look contemptuously lewd and knowing. And in another second, had our contact lasted, I was certain that there would erupt into speech, out of all that light and beauty, some brutal variation of Look, baby, I know you. I felt my face flame, I felt my heart harden and shake as I hurried past him, trying to look stonily beyond him. He had caught me by surprise, for I had, somehow, not really been thinking of him but of the letter in my pocket, of Hella and Giovanni. I got to the other side of the boulevard, not daring to look back, and I wondered what he had seen in me to elicit such instantaneous contempt. I was too old to suppose that it had anything to do with my walk, or the way I held my hands, or my voice – which, anyway, he had not heard. It was something else and I would never see it. I would never dare see it. It would be like looking at the naked sun. But, hurrying, and not daring now to look at anyone, male or female, who passed me on the wide sidewalks, I knew that what the sailor had seen in my unguarded eyes was envy and desire: I had seen it often in Jacques’ eyes and my reaction and the sailor’s had been the same. But if I were still able to feel affection and if he had seen it in my eyes, it would not have helped, for affection, for the boys I was doomed to look at, was vastly more frightening than lust.
Giovanni’s room by James Baldwin
White door by Hector Navarro

White door by Hector Navarro

Bohman Sjöstrand Photography.

Bohman Sjöstrand Photography.

Black Rectangle, Blue Triangle, 1915, Kazimir Malevich 

Black Rectangle, Blue Triangle, 1915, Kazimir Malevich